Future Art – Impressionism
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Peach Trees in Blossom (Perzikbomen In Bloei) by Dutch Artist Vincent van Gogh
“Perzikbomen In Bloei”, is a famous painting by Vincent Van Gogh, from the Flowering Orchards series which he executed in Arles. Flowering trees were special to Van Gogh; they represented awakening and hope. He enjoyed them aesthetically and found joy in painting flowering trees.
Ivan the Terrible and His Son Ivan by Russian Artist Iliya Repin
Ivan the Terrible and His Son Ivan on 16 November 1581 is a painting by Russian realist artist Ilya Repin made between 1883 and 1885. It depicts the grief-stricken Tsar of Russia Ivan the Terrible cradling his dying son, the Tsarevich Ivan Ivanovich, shortly after the elder Ivan had dealt a fatal blow to his son’s head in a fit of anger. The painting portrays the anguish and remorse on the face of the elder Ivan and the gentleness of the dying Tsarevich, forgiving his father with his tears.
Repin used Grigoriy Myasoyedov, his friend and fellow artist, as the model for Ivan the Terrible, and writer Vsevolod Garshin for the Tsarevich. In 1885, upon completion of the oil-on-canvas work, Repin sold it to Pavel Tretyakov for display in his Tretyakov Gallery in Moscow.
The artwork has been called one of Russia’s most famous and controversial paintings. It has been vandalised twice, once in 1913 and again in 2018. It remains on display in the Tretyakov Gallery.
The Last Supper by the Italian High Renaissance artist Leonardo da Vinci
The Last Supper is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498
Two aspects of the Last Supper have been traditionally depicted in Christian art: Christ’s revelation to his Apostles that one of them will betray him and their reaction to this announcement, and the institution of the sacrament of the Eucharist with the communion of the Apostles.
The Persistence of Memory by Artist Salvador Dalí
The Persistence of Memory is a 1931 painting by artist Salvador Dalí, and is one of his most recognizable works of Surrealism. The well-known surrealist piece introduced the image of the soft melting pocket watch. It epitomizes Dalí’s theory of “softness” and “hardness”, which was central to his thinking at the time. As Dawn Adès wrote, “The soft watches are an unconscious symbol of the relativity of space and time, a Surrealist meditation on the collapse of our notions of a fixed cosmic order”.
The Son of Man by Surrealist Artist René Magritte
The Son of Man is a 1964 painting by the Belgian surrealist painter René Magritte. It is perhaps his best-known artwork. Magritte painted it as a self-portrait. The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which are the sea and a cloudy sky.
Magritte painted it as a self-portrait. The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which is the sea and a cloudy sky. The man’s face is largely obscured by a hovering green apple. However, the man’s eyes can be seen peeking over the edge of the apple. Another subtle feature is that the man’s left arm appears to bend backwards at the elbow.
Wheat Field Under Thunderclouds by Dutch Artist Vincent van Gogh
Wheatfield Under Thunderclouds is an 1890 oil painting by Vincent van Gogh. The painting measures. It depicts a relatively flat and featureless landscape with fields of green wheat, under a foreboding dark blue sky with a few heavy white clouds.
La Chambre à Arles by Dutch Artist Vincent van Gogh
Bedroom in Arles is the title given to each of three similar paintings by 19th-century Dutch Post-Impressionist painter Vincent van Gogh. Van Gogh’s own title for this composition was simply The Bedroom.
Van Gogh chose his bedroom in the “yellow house” as his subject, where he set up his studio, then lived from September 17, 1888 and which will be destroyed during the Allied bombardment of Arles from June 25, 1944. He makes this painting in october 1888, a period during which he awaited the arrival in Arles of Paul Gauguin with whom he wished to found a circle of artists.
While he was in Arles, Van Gogh made this painting of his bedroom in the Yellow House. He prepared the room himself with simple furniture and with his own work on the wall. The bright colours were meant to express absolute ‘repose’ or ‘sleep’. Research shows that the strongly contrasting colours we see in the work today are the result of discolouration over the years. The walls and doors, for instance, were originally purple rather than blue. The apparently odd angle of the rear wall, meanwhile, is not a mistake on Van Gogh’s part – the corner really was skewed. The rules of perspective seem not to have been accurately applied throughout the painting, but this was a deliberate choice. Vincent told Theo in a letter that he had deliberately ‘flattened’ the interior and left out the shadows so that his picture would resemble a Japanese print. Van Gogh was very pleased with the painting: ‘When I saw my canvases again after my illness, what seemed to me the best was the bedroom.’
Saint John the Baptist by Italian Artist Leonardo da Vinci
Saint John the Baptist is a High Renaissance oil painting on walnut wood by Leonardo da Vinci. Likely to have been completed between 1513 and 1516, it is believed to be his final painting. Its original size was 69 by 57 centimetres. The painting is in the collection of the Louvre.
The Mona Lisa is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as “the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world”.
Still Life with Apples and a Pot of Primroses by French Artist Paul Cézanne
Cézanne rarely painted flowering plants or fresh-cut bouquets, which were susceptible to wilting under his protracted gaze. He included potted plants only in three still lifes, two views of the conservatory at Jas de Bouffan, his family’s estate, and about a dozen exquisite watercolors made over the course of two decades (from about 1878 to 1906). Cézanne seems to have reserved this particular table, with its scalloped apron and distinctive bowed legs, for three of his finest still lifes of the 1890s.This painting was once owned by the ardent gardener Claude Monet.
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