Future Art – Impressionism
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Future Art - Impressionism
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Categories: Impressionism, Paintings, Western Paintings
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Haystack at Giverny by Artist Claude Monet
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Haystack at Giverny, 1866, with the brilliant use of color suggestive of the rolling fields of poppies and the strand horizontal planes with vertical accents, typifies Monet’s treatment of his landscape subjects at this time.
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On a Turf Bench by Russian Artist Iliya Repin
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Ilya Repin created a series of fine Impressionist canvases, including the pearl of Russian Impressionist painting “On a Turf Bench”. His genre canvases are now classics of Russian Impressionism and did much to popularise the compositional devices of Impressionism in Russian painting.
Depicted: Vera Alexeyevna Repina, the artist’s wife; Vera and Nadya, his daughters. Alexei and Evgenia Shevtsov, parents of the artist’s wife; Alexei and Maria Shevtsov, the artist’s brother-in-law and his wife.
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Whistler’s Mother by Artist James McNeill Whistler
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Anna Mathilda McNeill Whistler, was the mother of the artist James Abbott McNeill Whistler and the subject of her son’s painting popularly known as Whistler’s Mother, though actually titled Arrangement in Grey and Black. This painting, which hangs in the Musée d’Orsay and was reproduced on the 1934 Mother’s Day U.S. postal stamp, as well as in countless art books and encyclopedias, has come to symbolize world motherhood. Certainly, her likeness is better known throughout the world than that of any other North Carolina woman.
Arrangement in Grey and Black, best known under its colloquial name Whistler’s Mother, is a painting in oils on canvas created by the American-born painter James McNeill Whistler in 1871. The subject of the painting is Whistler’s mother, Anna McNeill Whistler.
It has been variously described as an American icon and a Victorian Mona Lisa.
AED1,500.00
La Mer à l’Estaque (The Sea at L’Estaque) by French Artist Paul Cézanne
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Cezanne produced ‘The Sea at L’Estaque’ in 1878 whilst visiting the fishing village L’Estaque near Marseille in Southern France. Cezanne produced the painting outside allowing him to focus on the Mediterranean landscape first-hand.
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Self-portrait with grey felt hat by Dutch Artist Vincent van Gogh
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Van Gogh painted this self-portrait in the winter of 1887–88, when he had been in Paris for almost two years. It is clear from the work that he had studied the technique of the Pointillists and applied it in his own, original way. He placed the short stripes of paint in different directions. Where they follow the outline of his head, they form a kind of halo.
The painting is also one of Van Gogh’s boldest colour experiments in Paris. He placed complementary colours alongside one another using long brushstrokes: blue and orange in the background, and red and green in the beard and eyes. The colours intensify one another. The red pigment has faded, so the purple strokes are now blue, which means the contrast with the yellow is less powerful.
AED1,200.00
Houses at Auvers by Dutch Artist Vincent van Gogh
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Houses at Auvers is an oil painting by Vincent van Gogh. It was created towards the end of May or beginning of June 1890, shortly after he had moved to Auvers-sur-Oise, a small town northwest of Paris, France.
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The Persistence of Memory by Artist Salvador Dalí
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The Persistence of Memory is a 1931 painting by artist Salvador Dalí, and is one of his most recognizable works of Surrealism. The well-known surrealist piece introduced the image of the soft melting pocket watch. It epitomizes Dalí’s theory of “softness” and “hardness”, which was central to his thinking at the time. As Dawn Adès wrote, “The soft watches are an unconscious symbol of the relativity of space and time, a Surrealist meditation on the collapse of our notions of a fixed cosmic order”.
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Wheat Field with Cypresses by Dutch Artist Vincent van Gogh
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Cypresses gained ground in Van Gogh’s work by late June 1889 when he resolved to devote one of his first series in Saint-Rémy to the towering trees. Distinctive for their rich impasto, his exuberant on-the-spot studies include the Met’s close-up vertical view of cypresses (49.30) and this majestic horizontal composition, which he illustrated in reed-pen drawings sent to his brother on July. Van Gogh regarded the present work as one of his “best” summer landscapes and was prompted that September to make two studio renditions: one on the same scale (National Gallery, London) and the other a smaller replica, intended as a gift for his mother and sister (private collection).
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Wheat Field Under Thunderclouds by Dutch Artist Vincent van Gogh
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Wheatfield Under Thunderclouds is an 1890 oil painting by Vincent van Gogh. The painting measures. It depicts a relatively flat and featureless landscape with fields of green wheat, under a foreboding dark blue sky with a few heavy white clouds.
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The Scream – Edvard Munch
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The Scream is the popular name given to each of four versions of a composition, created as both paintings and pastels, by Norwegian Expressionist artist Edvard Munch between 1893 and 1910. The German title Munch gave these works is Der Schrei der Natur (The Scream of Nature). The works show a figure with an agonized expression against a landscape with a tumultuous orange sky.
The Scream is a composition created by Norwegian artist Edvard Munch in 1893. The agonized face in the painting has become one of the most iconic images of art, seen as symbolizing the anxiety of the human condition.
AED1,100.00
Ivan the Terrible and His Son Ivan by Russian Artist Iliya Repin
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Ivan the Terrible and His Son Ivan on 16 November 1581 is a painting by Russian realist artist Ilya Repin made between 1883 and 1885. It depicts the grief-stricken Tsar of Russia Ivan the Terrible cradling his dying son, the Tsarevich Ivan Ivanovich, shortly after the elder Ivan had dealt a fatal blow to his son’s head in a fit of anger. The painting portrays the anguish and remorse on the face of the elder Ivan and the gentleness of the dying Tsarevich, forgiving his father with his tears.
Repin used Grigoriy Myasoyedov, his friend and fellow artist, as the model for Ivan the Terrible, and writer Vsevolod Garshin for the Tsarevich. In 1885, upon completion of the oil-on-canvas work, Repin sold it to Pavel Tretyakov for display in his Tretyakov Gallery in Moscow.
The artwork has been called one of Russia’s most famous and controversial paintings. It has been vandalised twice, once in 1913 and again in 2018. It remains on display in the Tretyakov Gallery.
AED1,900.00