Future Art – Impressionism
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The Persistence of Memory by Artist Salvador Dalí
The Persistence of Memory is a 1931 painting by artist Salvador Dalí, and is one of his most recognizable works of Surrealism. The well-known surrealist piece introduced the image of the soft melting pocket watch. It epitomizes Dalí’s theory of “softness” and “hardness”, which was central to his thinking at the time. As Dawn Adès wrote, “The soft watches are an unconscious symbol of the relativity of space and time, a Surrealist meditation on the collapse of our notions of a fixed cosmic order”.
On a Turf Bench by Russian Artist Iliya Repin
Ilya Repin created a series of fine Impressionist canvases, including the pearl of Russian Impressionist painting “On a Turf Bench”. His genre canvases are now classics of Russian Impressionism and did much to popularise the compositional devices of Impressionism in Russian painting.
Depicted: Vera Alexeyevna Repina, the artist’s wife; Vera and Nadya, his daughters. Alexei and Evgenia Shevtsov, parents of the artist’s wife; Alexei and Maria Shevtsov, the artist’s brother-in-law and his wife.
Cossacks write a letter to the Turkish sultan by Russian Artist Iliya Repin
Reply of the Zaporozhian Cossacks is a painting by Ukrainian-born Russian artist Ilya Repin.
It is also known as Cossacks of Saporog Are Drafting a Manifesto, and known in Russian as ‘Cossacks write a letter to the Turkish sultan’.
Repin began in 1880 and finished in 1891. He recorded the years of work along the lower edge of the canvas. Alexander III bought the painting for 35,000 rubles. Since then, the canvas has been exhibited in the State Russian Museum in Saint Petersburg with another version by Repin in the Kharkiv Art Museum in Kharkiv, Ukraine.
The School of Athens by Renaissance Artist Raphael
The School of Athens is one of the most famous frescoes by the Italian Renaissance artist Raphael. It was painted between 1509 and 1511 as a part of Raphael’s commission to decorate the rooms now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
The School of Athens is a fresco by the Italian Renaissance artist Raphael. The fresco was painted between 1509 and 1511 as a part of Raphael’s commission to decorate the rooms now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
The Last Supper by the Italian High Renaissance artist Leonardo da Vinci
The Last Supper is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498
Two aspects of the Last Supper have been traditionally depicted in Christian art: Christ’s revelation to his Apostles that one of them will betray him and their reaction to this announcement, and the institution of the sacrament of the Eucharist with the communion of the Apostles.
Houses at Auvers by Dutch Artist Vincent van Gogh
Houses at Auvers is an oil painting by Vincent van Gogh. It was created towards the end of May or beginning of June 1890, shortly after he had moved to Auvers-sur-Oise, a small town northwest of Paris, France.
Barge Haulers on the Volga by Russian Artist Iliya Repin
Barge Haulers on the Volga or Burlaki is an oil-on-canvas painting by artist Ilya Repin. It depicts 11 men physically dragging a barge on the banks of the Volga River. They are at the point of collapse from exhaustion, oppressed by heavy, hot weather. The work is a condemnation of profit from inhumane labor.
The Virgin and Child with a Carnation by Leonardo da Vinci
The Madonna of the Carnation, also known as the Madonna with Vase, Madonna with Child or Virgin with Flower, is a Renaissance oil painting by Leonardo da Vinci created around 1478–1480. It is permanently displayed at the Alte Pinakothek gallery[2] in Munich, Germany.
The central and centered motif is the young Virgin Mary seated with Baby Jesus on her lap. Depicted in sumptuous clothes and jewellery, with her left hand Mary holds a carnation (red, suggesting blood and the Passion). The faces are put into light while all other objects are darker, e.g. the flower is covered by a shadow. The child is looking up and the mother looking down, with no eye contact. The setting of the portrait is a room with two windows on each side of the figures.
Sunflowers
Sunflowers is the title of two series of still life paintings by the Dutch painter Vincent van Gogh. The first series, executed in Paris in 1887, depicts the flowers lying on the ground, while the second set, made a year later in Arles, shows a bouquet of sunflowers in a vase.
Van Gogh’s paintings of Sunflowers are among his most famous. He did them in Arles, in the south of France, in 1888 and 1889. Vincent painted a total of five large canvases with sunflowers in a vase, with three shades of yellow ‘and nothing else’. In this way, he demonstrated that it was possible to create an image with numerous variations of a single colour, without any loss of eloquence.
The sunflower paintings had a special significance for Van Gogh, they communicated ‘gratitude’, he wrote. He hung the first two in the room of his friend, the painter Paul Gauguin, who came to live with him for a while in the Yellow House. Gauguin was impressed by the sunflowers, which he thought were ‘completely Vincent’. Van Gogh had already painted a new version during his friend’s stay and Gauguin later asked for one as a gift, which Vincent was reluctant to give him. He later produced two loose copies, however, one of which is now in the Van Gogh Museum.
Ivan the Terrible and His Son Ivan by Russian Artist Iliya Repin
Ivan the Terrible and His Son Ivan on 16 November 1581 is a painting by Russian realist artist Ilya Repin made between 1883 and 1885. It depicts the grief-stricken Tsar of Russia Ivan the Terrible cradling his dying son, the Tsarevich Ivan Ivanovich, shortly after the elder Ivan had dealt a fatal blow to his son’s head in a fit of anger. The painting portrays the anguish and remorse on the face of the elder Ivan and the gentleness of the dying Tsarevich, forgiving his father with his tears.
Repin used Grigoriy Myasoyedov, his friend and fellow artist, as the model for Ivan the Terrible, and writer Vsevolod Garshin for the Tsarevich. In 1885, upon completion of the oil-on-canvas work, Repin sold it to Pavel Tretyakov for display in his Tretyakov Gallery in Moscow.
The artwork has been called one of Russia’s most famous and controversial paintings. It has been vandalised twice, once in 1913 and again in 2018. It remains on display in the Tretyakov Gallery.
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