Future Art – Impressionism
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The Virgin and Child with a Carnation by Leonardo da Vinci
The Madonna of the Carnation, also known as the Madonna with Vase, Madonna with Child or Virgin with Flower, is a Renaissance oil painting by Leonardo da Vinci created around 1478–1480. It is permanently displayed at the Alte Pinakothek gallery[2] in Munich, Germany.
The central and centered motif is the young Virgin Mary seated with Baby Jesus on her lap. Depicted in sumptuous clothes and jewellery, with her left hand Mary holds a carnation (red, suggesting blood and the Passion). The faces are put into light while all other objects are darker, e.g. the flower is covered by a shadow. The child is looking up and the mother looking down, with no eye contact. The setting of the portrait is a room with two windows on each side of the figures.
La Route en Provence by French Artist Paul Cézanne
Irises by Dutch Artist Vincent van Gogh
Irises is one of several paintings of irises by the Dutch artist Vincent van Gogh, and one of a series of paintings he made at the Saint Paul-de-Mausole asylum in Saint-Rémy-de-Provence, France, in the last year before his death in 1890.
Van Gogh started painting Irises within a month of entering the asylum, in May 1889, working from nature in the hospital garden. There is a lack of the high tension which is seen in his later works. He called painting “the lightning conductor for my illness” because he felt that he could keep himself from going insane by continuing to pain.
The School of Athens by Renaissance Artist Raphael
The School of Athens is one of the most famous frescoes by the Italian Renaissance artist Raphael. It was painted between 1509 and 1511 as a part of Raphael’s commission to decorate the rooms now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
The School of Athens is a fresco by the Italian Renaissance artist Raphael. The fresco was painted between 1509 and 1511 as a part of Raphael’s commission to decorate the rooms now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
Saint John the Baptist by Italian Artist Leonardo da Vinci
Saint John the Baptist is a High Renaissance oil painting on walnut wood by Leonardo da Vinci. Likely to have been completed between 1513 and 1516, it is believed to be his final painting. Its original size was 69 by 57 centimetres. The painting is in the collection of the Louvre.
The Mona Lisa is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as “the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world”.
The Last Supper by the Italian High Renaissance artist Leonardo da Vinci
The Last Supper is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498
Two aspects of the Last Supper have been traditionally depicted in Christian art: Christ’s revelation to his Apostles that one of them will betray him and their reaction to this announcement, and the institution of the sacrament of the Eucharist with the communion of the Apostles.
The Persistence of Memory by Artist Salvador Dalí
The Persistence of Memory is a 1931 painting by artist Salvador Dalí, and is one of his most recognizable works of Surrealism. The well-known surrealist piece introduced the image of the soft melting pocket watch. It epitomizes Dalí’s theory of “softness” and “hardness”, which was central to his thinking at the time. As Dawn Adès wrote, “The soft watches are an unconscious symbol of the relativity of space and time, a Surrealist meditation on the collapse of our notions of a fixed cosmic order”.
La Chambre à Arles by Dutch Artist Vincent van Gogh
Bedroom in Arles is the title given to each of three similar paintings by 19th-century Dutch Post-Impressionist painter Vincent van Gogh. Van Gogh’s own title for this composition was simply The Bedroom.
Van Gogh chose his bedroom in the “yellow house” as his subject, where he set up his studio, then lived from September 17, 1888 and which will be destroyed during the Allied bombardment of Arles from June 25, 1944. He makes this painting in october 1888, a period during which he awaited the arrival in Arles of Paul Gauguin with whom he wished to found a circle of artists.
While he was in Arles, Van Gogh made this painting of his bedroom in the Yellow House. He prepared the room himself with simple furniture and with his own work on the wall. The bright colours were meant to express absolute ‘repose’ or ‘sleep’. Research shows that the strongly contrasting colours we see in the work today are the result of discolouration over the years. The walls and doors, for instance, were originally purple rather than blue. The apparently odd angle of the rear wall, meanwhile, is not a mistake on Van Gogh’s part – the corner really was skewed. The rules of perspective seem not to have been accurately applied throughout the painting, but this was a deliberate choice. Vincent told Theo in a letter that he had deliberately ‘flattened’ the interior and left out the shadows so that his picture would resemble a Japanese print. Van Gogh was very pleased with the painting: ‘When I saw my canvases again after my illness, what seemed to me the best was the bedroom.’
Still Life with Apples and a Pot of Primroses by French Artist Paul Cézanne
Cézanne rarely painted flowering plants or fresh-cut bouquets, which were susceptible to wilting under his protracted gaze. He included potted plants only in three still lifes, two views of the conservatory at Jas de Bouffan, his family’s estate, and about a dozen exquisite watercolors made over the course of two decades (from about 1878 to 1906). Cézanne seems to have reserved this particular table, with its scalloped apron and distinctive bowed legs, for three of his finest still lifes of the 1890s.This painting was once owned by the ardent gardener Claude Monet.
The Kiss by Austrian Symbolist Artist Gustav Klimt
The Kiss is an oil on canvas painting with added gold leaf, silver and platinum by the Austrian Symbolist painter Gustav Klimt. It was painted at some point in 1907 and 1908, during the height of what scholars call his “Golden Period”. It was exhibited in 1908 under the title Liebespaar (the lovers) as stated in the catalogue of the exhibition. The painting depicts a couple embracing each other, their bodies entwined in elaborate beautiful robes decorated in a style influenced by the contemporary Art Nouveau style and the organic forms of the earlier Arts and Crafts movement. The painting now hangs in the Österreichische Galerie Belvedere museum in the Belvedere, Vienna, and is considered a masterpiece of Vienna Secession (local variation of Art Nouveau) and Klimt’s most popular work.
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