Starry Night Over the Rhône by the Dutch painter Vincent van Gogh

Irises is one of several paintings of irises by the Dutch artist Vincent van Gogh, and one of a series of paintings he made at the Saint Paul-de-Mausole asylum in Saint-Rémy-de-Provence, France, in the last year before his death in 1890.

Van Gogh started painting Irises within a month of entering the asylum, in May 1889, working from nature in the hospital garden. There is a lack of the high tension which is seen in his later works. He called painting “the lightning conductor for my illness” because he felt that he could keep himself from going insane by continuing to pain.

Bedroom in Arles is the title given to each of three similar paintings by 19th-century Dutch Post-Impressionist painter Vincent van Gogh. Van Gogh’s own title for this composition was simply The Bedroom.

Van Gogh chose his bedroom in the “yellow house” as his subject, where he set up his studio, then lived from September 17, 1888 and which will be destroyed during the Allied bombardment of Arles from June 25, 1944. He makes this painting in october 1888, a period during which he awaited the arrival in Arles of Paul Gauguin with whom he wished to found a circle of artists.

While he was in Arles, Van Gogh made this painting of his bedroom in the Yellow House. He prepared the room himself with simple furniture and with his own work on the wall. The bright colours were meant to express absolute ‘repose’ or ‘sleep’. Research shows that the strongly contrasting colours we see in the work today are the result of discolouration over the years. The walls and doors, for instance, were originally purple rather than blue. The apparently odd angle of the rear wall, meanwhile, is not a mistake on Van Gogh’s part – the corner really was skewed. The rules of perspective seem not to have been accurately applied throughout the painting, but this was a deliberate choice. Vincent told Theo in a letter that he had deliberately ‘flattened’ the interior and left out the shadows so that his picture would resemble a Japanese print. Van Gogh was very pleased with the painting: ‘When I saw my canvases again after my illness, what seemed to me the best was the bedroom.’