Post-Impressionism

Post-Impressionism

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Almond Blossoms by the Dutch painter Vincent van Gogh

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Almond Blossoms is a group of several paintings made in 1888 and 1890 by Vincent van Gogh in Arles and Saint-Rémy, southern France of blossoming almond trees. Flowering trees were special to van Gogh. They represented awakening and hope. He enjoyed them aesthetically and found joy in painting flowering trees.

Large blossom branches like this against a blue sky were one of Van Gogh’s favourite subjects. Almond trees flower early in the spring making them a symbol of new life. Van Gogh borrowed the subject, the bold outlines and the positioning of the tree in the picture plane from Japanese printmaking.

The painting was a gift for his brother Theo and sister-in-law Jo, who had just had a baby son, Vincent Willem. In the letter announcing the new arrival, Theo wrote: ‘As we told you, we’ll name him after you, and I’m making the wish that he may be as determined and as courageous as you.’ Unsurprisingly, it was this work that remained closest to the hearts of the Van Gogh family. Vincent Willem went on to found the Van Gogh Museum.

Château Noir by French Artist Paul Cézanne

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After settling in Aix, France, in 1899, Cézanne ventured daily into the surrounding Provencal landscape in search of subjects to paint. Chateau Noir, a recently constructed neo-Gothic castle designed to mimic aged ruins, captivated him. He repeatedly represented this structure and also painted from its grounds, where he had an unobstructed view of nearby Mont Sainte-Victoire, another favoured subject. As is typical of landscapes executed late in his career, Cézanne applied thick paint in broad, multihued swatches.

Fishing Boats on the Beach at Les Saintes-Maries-de-la-Mer – Arles, 1888 by the Dutch painter Vincent van Gogh

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Can you see why these fishermen’s boats appear slightly unreal? Compared to the irregular surface of the sandy beach, they’ve been painted in an overly two-dimensional way. The boats are made up of areas of uniform colour within strong outlines. Furthermore, the boats don’t cast shadows on the beach. These stylistic elements were familiar to Van Gogh from his collection of Japanese prints.

Van Gogh would have preferred to make this painting on the beach, but he couldn’t, because the fishermen put out to sea very early every morning. He did draw the boats there, however, and later made this painting at home.

Houses at Auvers by Dutch Artist Vincent van Gogh

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Houses at Auvers is an oil painting by Vincent van Gogh. It was created towards the end of May or beginning of June 1890, shortly after he had moved to Auvers-sur-Oise, a small town northwest of Paris, France.

Self-portrait with grey felt hat by Dutch Artist Vincent van Gogh

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Van Gogh painted this self-portrait in the winter of 1887–88, when he had been in Paris for almost two years. It is clear from the work that he had studied the technique of the Pointillists and applied it in his own, original way. He placed the short stripes of paint in different directions. Where they follow the outline of his head, they form a kind of halo.

The painting is also one of Van Gogh’s boldest colour experiments in Paris. He placed complementary colours alongside one another using long brushstrokes: blue and orange in the background, and red and green in the beard and eyes. The colours intensify one another. The red pigment has faded, so the purple strokes are now blue, which means the contrast with the yellow is less powerful.

Starry Night Over the Rhône by the Dutch painter Vincent van Gogh

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Starry Night, commonly known as Starry Night Over the Rhône, is one of Vincent van Gogh’s paintings of Arles at night. It was painted on the bank of the Rhône that was only a one or two-minute walk from the Yellow House on the Place Lamartine, which Van Gogh was renting at the time.

Sunflowers

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Sunflowers is the title of two series of still life paintings by the Dutch painter Vincent van Gogh. The first series, executed in Paris in 1887, depicts the flowers lying on the ground, while the second set, made a year later in Arles, shows a bouquet of sunflowers in a vase.
Van Gogh’s paintings of Sunflowers are among his most famous. He did them in Arles, in the south of France, in 1888 and 1889. Vincent painted a total of five large canvases with sunflowers in a vase, with three shades of yellow ‘and nothing else’. In this way, he demonstrated that it was possible to create an image with numerous variations of a single colour, without any loss of eloquence.

The sunflower paintings had a special significance for Van Gogh, they communicated ‘gratitude’, he wrote. He hung the first two in the room of his friend, the painter Paul Gauguin, who came to live with him for a while in the Yellow House. Gauguin was impressed by the sunflowers, which he thought were ‘completely Vincent’. Van Gogh had already painted a new version during his friend’s stay and Gauguin later asked for one as a gift, which Vincent was reluctant to give him. He later produced two loose copies, however, one of which is now in the Van Gogh Museum.

The Siesta (La Meridienne) by the Dutch artist Vincent van Gogh

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The Siesta is an oil on canvas painting by Vincent van Gogh painted between December 1889 and January 1890 while he was interned in a mental asylum in the French town of Saint-Rémy-de-Provence. It is part of the permanent collection of the ‘Musée d’Orsay, in Paris’.

 

The Starry Night by the Dutch Post-Impressionist painter Vincent van Gogh

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The Starry Night is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh. Painted in June 1889, it depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village.

Wheat Field Under Thunderclouds by Dutch Artist Vincent van Gogh

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Wheatfield Under Thunderclouds is an 1890 oil painting by Vincent van Gogh. The painting measures. It depicts a relatively flat and featureless landscape with fields of green wheat, under a foreboding dark blue sky with a few heavy white clouds.

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